![]() ![]() However, this essay notes that Barrett Browning’s subversive manipulation of traditional Petrarchan metaphor also corresponds to the literal situation of Victorian women. Barrett Browning retains her active nature through describing her own body as unattractive and maimed by illness, characteristics that forestall the dissection of her body in metaphorical language. For example, Petrarch relegates Laura to passivity through discussing her body in parts, composing elaborate metaphors about one single beautiful attribute at a time. In her own sonnets, Barrett Browning manipulates these same conventions in order to prevent a similar objectification from happening to her. A close examination of Petrarch’s Rime sparse, the origin of the sonnet form, reveals the author’s use of poetic conventions to elevate his own subjectivity at the expense of objectifying and silencing the Laura of his poems. This essay offers an explanation for the tendency of Sonnets from the Portuguese to polarize readers into camps that are either entirely positive or negative: the conflict between literal and metaphorical meaning exemplified by the text. ![]() Marianne Van Remoortel, University of Ghent ![]()
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